![]() ![]() But while the Winehouse of the Back to Black era is in fine voice, the devout classicism here is devoid of grit. Winehouse's final Tony Bennett duet, "Body and Soul", is here, while "Will You Still Love Me Tomorrow" finds Mark Ronson at the controls of this girl group classic. So Lioness is more concerned with a redacted skim through the past than any future that might have been.Ĭovers make up the backbone of this perfectly enjoyable, but tame release. Producer Salaam Remi has stated that Winehouse's putative third album had been written, but – two exceptions aside – not yet recorded. Up until this point, however, the version of Winehouse being perpetuated on Lioness is cosier and more vanilla than many would recognise defanged, cleansed of the carpet burns that made her music so deeply compelling. He had something in him, you know." With this coda, Lioness's compilers go a little way towards acknowledging the inner turmoil that made Winehouse such a compelling artist. " Donny Hathaway, like… he couldn't contain himself. "Marvin Gaye – great," she muses at the song's end.
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